Transparency can be defined as the quality of light passing through a surface, the ease of perception, and a state of openness to scrutiny. My work explores the concept of visibility- physical, emotional, and social- through material, process, and form. I incorporate transparent elements, such as tracing paper and glass, to evoke a sense of openness, while recycled materials reveal the artist’s touch and highlight the importance of the process. These components merge in a practice of intersectional surrealism, where surreal interpretations of the human body are shaped by layered identities and lived experiences.​

 

Vulnerability is central to this exploration. Intuitive gestures and intentional material combinations guide each piece. The result is a form of living documentation—work that unfolds through both conscious decision and subconscious expression.

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Although physical figures are absent, their presence lingers. What remains are traces: the memory of touch, the space once occupied, and the residue of interaction. These works give materials a second life, existing simultaneously as memorials and sacred spaces.

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Titles are derived from original poems created in conjunction with the artwork, establishing a layered dialogue between language and form.